Last year, perhaps two years ago, my wife and I read "The Shadow Of The Wind" [Carlos Ruiz Zafon, 2001, Translated by Lucia Graves, 2004, Penguin Press, New York]. We thought it an an excellent book and recommended it to everyone. I thought I had written a blog entry on it, but a search through Archives finds nothing at all. Either I didn't write about the book, or wrote it somewhere other than the blog.
"Shadow" was an excellent book. I remember being impressed that its translator was Lucia Graves, the daughter of poet Robert Graves. I have no idea why that seemed important, but there's no accounting for random bits of floss that add perspective or meaning.
Zafon has followed Shadow with another novel, "The Angel's Game". Published by Doubleday June 9, 2009, this novel was again translated by Lucia Graves. That's interesting, partly because Zafon has lived in Los Angeles since 1993. McIntyre's, our local Fearrington Village bookstore, knew that we enjoyed Shadow and got us a copy of "The Angel's Game" as soon as it was published. We were surprised, and very pleased to see that it is an autographed copy, but that's immaterial to the power of the book.
I liked "Angel's Game", perhaps not quite as much as Shadow, but it is a very good novel. Angel's Game is very good from several perspectives. I am still wrestling with its dark religious overtones. I find a very definite tone of darkness in this book, necessary for Zafon to carry the story, and he does it very well. It's a great story, and very much a love story. There is so much more though. It poses great questions, some unanswerable. And a believer will find much to disagree with or fume about. A non-believer may simply nod, muttering that Zafon has said it exactly correctly.
Here is a passage in which Zafon has the two primary protagonists, David Martin and Andreas Corelli, talking about a book Martin has been commisioned by Corelli to write.
"I want you to muster all your talent and devote yourself body and soul, for one year, to working on the greatest story you have ever created, a religion."
I couldn't help bursting out laughing. ...
"You've got the wrong writer. I don't know anything about religion."
"Don't worry about that. I do. I'm not looking for a theologian. I'm looking for a narrator. Do you know what a religion is, Martin, my friend?"
"I can barely remember the Lord's Prayer."
"A beautiful and well-crafted prayer. Poetry aside, a religion is really a moral code that is expressed through legends, myths, or any type of literary device in oirder to establish a system of beliefs, values, and rules with which to regulate a culture or society."
<snip>
"You're telling me that a doctrine amounts to a tale."
"Everything is a tale, Martin, What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated. ..."
[page 145]
I nod, of course. Of course, Martin accepts the commission. There's a bit more to it than that but, essentially, that's it. Later, he presents a partial draft for Corelli, who by this time in the story is being referred as the boss. Martin is writing the book, and the boss is satisfied. Martin describes a warrior messiah.
"I've given this some thought, I said, "and I realized that most of the great religions either were born or reached their apogee at a time when to societies that adapted them had a younger and poorer demographic base. Societies on which 70 percent of the population was under the age of eighteen - ha;f of them males with their veins bursting with violence and the urge to procreate - were perfect breeding grounds for an acceptance and explosion of faith.
<snip>
"Why not get straight to the point and establish a mythology behind this warrior messiah?
<snip>
"We get to the adults by having recourse his frustration. As life advances and we have to give up the hopes, dreams, and desires of our youth, we acquire a growing sense of being a victim of the world and of other people.There is always someone else to blame for our misfortunes or failures, someone we wish to exclude. Embracing a doctrine that will turn this grudge and victim mentality into something positive provides comfort and strength. The adult then feels part of the group and sublimates his lost desires and hopes through the community."
And women?
"The main pillar of organized religion, with few exceptions, is the subjugation, repression, even the annulment of women in the group. Woman must accept the role of ethereal, passive, and maternal presence, never of authority or independence, or she will have to suffer the consequences. She might have a place of honor in the symbolism, but not in the hierarchy. Religion and war are male pursuits. ..." [page 250-251]
As I see it, much of that is accurate. Christianity may be the opposite. Instead of a warrior messiah, Christianity has a shepherd who was crucified. But over the centuries much of it has been true of Christianity, or more accurately, of the hierarchy that developed within. Religion and war have become male pursuits.
David Martin, by this point, recognizes that the boss is Lucifer, the bringer of light. He doesn't win the eternal conflict, but he does prevail in his own fight.
I said this was a love story, and so it is. David loves Cristina, yet is not able to win her. He has a young assistant, Isabella, who he guides as teacher and closest friend.
This is an excellent book, with more levels than I have the skill to describe. It has provided me with hours of pleasure, first in the reading, and then considering the numerous threads Zafon weaves so eloquently. There is at least one other blog post coming from another thread, one that is much more clear and instructive.